Hema Malini: As a dancer, I can be on stage for a lifetime

Image courtesy: Kent Mineral RO

This year, Hema Malini completes 42 years in Hindi films. From the gawky girl introduced as Raj Kapoor’s heroine in Sapnon Ka Saudagar [1968], the dream girl has come a long way. Not only is she Hindi cinema’s longest reigning box-office queen, but she also continues to combine her acting career with her classical dancing.

She is among the few actresses who didn’t fade away after marriage and motherhood. In 1983, when she was pregnant for the first time, she happened to read Irving Wallace’s The Second Lady and decided to launch herself as a producer with Sharara, a desi adaptation of the novel. The film starred Hema in a double role with Raaj Kumar playing her husband.

Soon, Hema forayed into television with Nupoor, a tele-serial based on the life of a dancer, produced, written and directed by her. Next, she was ready to debut as a director with Dil Aashna Hai.

In 2000, she made a comeback with co-star Amitabh Bachchan in Baghban and continues to successfully combine different performing mediums.

Dance remains Hema’s first love and she has managed to lure the audience with varied ballets like Durga, Meera, Ramayana, Savitri and Radha Krishna.

In this exclusive interview, conducted at her bungalow in Juhu, Hema discusses the significance of dance in her life…

I believe dance has enriched me…It makes me stand apart. As a leading lady, I can rule the roost for a decade, and if I’m fortunate, a little longer. But as a dancer, I can be on stage for a lifetime. In show business, there comes a phase when you have to cross over from being the heroine to character roles, but not in dance.

As a dancer, you can perform the same role and abhinay at 17 and also at 70, provided you are in good health and your limbs and muscles move. Unlike in films where you have to retire some day, dance is a timeless bond. When you are older and find it difficult to move as nimbly, you can launch an academy and teach dance... there are so many options. I want to do that but I’m in no hurry, for, I believe that things happen when they have to and when they do, it is the right time.

And I was named Hema Malini…

I sometimes feel that it is my mother’s bhakti and tapasya that has brought me so far. Few people know this, but she was an accomplished painter and a singer. In her pregnancy itself, she had decided that if she had a daughter, she would groom her into an artiste.

I was named Hema Malini because she liked the sound of it and felt it was an appropriate name for a classical dancer. In those days my parents had a family friend, Vijay Raghavan, an ICS officer whose daughter, a very beautiful and talented Bharatanatyam dancer, was called Hema Malini. My mother was so impressed with her, that she named me after her.

Artiste in the making

I started learning dance when I was only five years old. When they first tied the bells around my tiny ankles and demonstrated the adavus and the mudras, it hurt terribly but I wasn’t allowed to take them off. “You will get used to them,” my mother said firmly and I did. Within a week, I was wearing the heavy anklets and bending and twirling, without complaints.

I began giving public performances at prestigious gatherings at a tender age. Since we were based in Delhi, opportunities to perform before ministers came often. I remember recitals clearly.

Before going on stage, my mother’s standard line to me used to be, ”Concentrate, don’t get nervous, and don’t make mistakes.” She’d make me bow before the idol of Lord Nataraja and say my prayers. Something always stirred in the pit of my stomach just before the curtains went up. Then slowly, as the music started, it would all begin to feel familiar again.